Jumat, 13 Juni 2014

[H716.Ebook] Ebook Download Dynamic Light and Shade, by Burne Hogarth

Ebook Download Dynamic Light and Shade, by Burne Hogarth

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Dynamic Light and Shade, by Burne Hogarth

Dynamic Light and Shade, by Burne Hogarth



Dynamic Light and Shade, by Burne Hogarth

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Dynamic Light and Shade, by Burne Hogarth

Mastery of light and shade - rendered with accuracy and expressive power - is the key to three-dimensional form in drawing and painting. Here is the first book on this essential subject, the product of years of study by one of the world's great teachers of drawing and an artist of international renown, Burne Hogarth.

Hogarth begins with the simplist kind of light and shade, showing how a dark silhouette on white paper can communicate form and space. He then shows how the silhouette is transformed into three dimensions with the addition of minimal light - the highlight.

Following these instructory chapters, Hogarth devotes a separate chapter to each of the given basic categories of light and shade: single-source light; double-source light; flat, diffused light; moonlight; and sculptural light. In these chapters Hogarth illustrates the effects of these different kinds of light on a variety of subjects and examines both natural and artificial light sources.

Moving on to more complex lighting effects, Hogarth explains spatial light - how light and shade can create a sense of "near and far"; environmental light - the effects of weather, time of day, and the changing of seasons; textural light - how light reveals the surface qualities of forms that range from rough stone to silk and satin draperies; transparent light - the effects passing through transparent materials like glass and water, and translucent substances like moving water or sailcloth; fragmentation light - the disrupted light we see in such subjects as fire, rain, and flying snow; radiant light - the intense light we see when we look into the light source itself, which may range from the sun to a candle flame; and finally the various kinds of expressive light invented by the artist - such as the symbolic and mystic light of religious art, or the paterns of light and shade that convey a mood or a psychological state.

Burne Hogarth illustrates every effect of light and shade with brilliant drawings in pencil, charcoal, carbon, pen and ink, and brush and ink, encouraging the reader to experiment with diverse drawing media.

Dynamic Light and Shade is an essential volume for everyone who draws and paints.

  • Sales Rank: #264912 in Books
  • Brand: Random House
  • Published on: 1991-09-01
  • Released on: 1991-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.99" h x .49" w x 8.57" l, 1.27 pounds
  • Binding: Paperback
  • 160 pages

About the Author

BURNE HOGARTH (1911–1996), hailed as the “Michaelangelo of the comic strip,” was one of the most iconic cartoonists and influential arts educators of the twentieth century and remains so today. After attending the Chicago Art Institute and Academy of Fine Arts at the age of fifteen, Hogarth began an illustrious career in arts education, fine arts, illustration, advertising, and comics, and became recognized as one of the earliest creators of the graphic novel. Best known for his innovative illustrations of the syndicated Sunday Tarzan, Hogarth broke fresh ground in the newspaper comic strip by combining classicism, expressionism, and narrative in a powerful, new way.

As cofounder of the School of Visual Arts—one of the world’s leading art schools—he brought his unique approach to art into the classroom. His passionate lectures on anatomy and art history formed the foundation for The Burne Hogarth�Dynamic Drawing Series that continues to teach and influence artists and animators worldwide.

Hogarth’s art has been exhibited in many important galleries around the world including the Louvre in the Muse� des Arts D�coratifs and Marseilles’ Biblioth�que. He traveled the world throughout his life receiving numerous international awards and accolades.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Kinda useless
By SingingDesigner
I'd hoped that the book provided lessons that I could use, but it's more by examples (his). I'm better with understanding the science behind it. Also, not abundant in providing a good range of different lighting situations.

Overall, I think this book will sit on the shelf.

0 of 0 people found the following review helpful.
Light & Shade in Art
By Jeremy Johnson
This book is good to illustrate the phenomena of light in a composition. It discusses the different kinds of light and their effect on the environment of the picture. Worth getting to use as reference material.

12 of 13 people found the following review helpful.
Good Reference Book, BUT....
By Jeremy Canaday
The writing style of the author in this book is the same as other books in his entire collection, so if you have read any of his previous books and dislike his teaching style, this book is not for you. The positive points of this book are that it teaches different situations and sources of light: diffractive light, chiaroscuro (1 point, 2 point, etc), sunlight, reflective, radiant light and so on. It taught me a few good points and has some pictures that I might reference if it comes down to it, but what it fails to teach is the Science behind dynamic light and shade. If you are considering this book and you already have applied studies of light and shade, it is a decent book that could give you new ideas to your work. However, if you are wanting a thorough in depth study of this subject, look elsewhere. Each chapter has about a 2 sentence explanation of the type of light it is covering, maybe a few good portrait examples for direction and then BAM! Pictures. More pictures. Even more pictures. Some of the pictures are just more about the pictures of the previous pictures and it gets very dull and counter-intuitive.. For the 15 chapters that this book has, it is good for maybe about 30 sentences and about 20 examples in pictures. Other than that, it is just blown out of proportion. This book is a great idea if you want to BROADEN your scope and try new things with light and shade, but should not be the 1st book of study. For the 150 something pages this book has, it could've been compressed into maybe 10 pages of pure important material for study and the rest is just overkill. I will not buy any future books from this author as I could probably find any information I needed that he explains on Wikipedia.

See all 39 customer reviews...

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